Writing/editing

“This writing business. Pencils and whatnot. Overrated if you ask me.”
(Winnie the Pooh)


I began my career as a journalist, and speclalise in content with a technical or scientific angle.


Interactive content

I have written interactive content for education projects from GCSE to professional level, and for major museum projects.

Space Museum at the Sheikh Abdullah Al Salem Cultural Centre, Kuwait

Energy Exhibition at the King Abdulaziz Center for World Culture


Journalism

Among the titles for which I have worked are: Sound On Sound (Editor, feature writer); British National Space Centre Annual Report (feature writer); Audio Media (feature writer) ; Time Out (London) (feature writer); Lighting and Sound International (feature writer); Pro Sound News (feature writer); T3 (feature writer); FHM (sub-editor); Wallpaper* (sub-editor and writer); J (the magazine of Jordan Grand Prix, feature writer); Building Design (feature writer); The Independent (sub-editor); What HiFi? (reviews).


Space:UK magazine (journal of the UK space industry)
Issue #49
Issue #46


Cover feature for Time Out (London edition).

Time Out kids



Review of Tintin exhibition at the National Maritime Museum at Greenwich for Time Out (London edition).

Tintin thumb


Cover feature for Time Out (London edition).

Poker TimeOut thumb


Copywriting

I write mostly for clients in the professional audio and video markets, but will take on any interesting and rewarding projects. Other clients include large investment banks, www.rockfordsrockopera.com, and medical technology companies. 

Introductory guide to digital audio mixing.

SpiritGuide


‘Interface’ newsletters for Soundcraft/Spirit:

Issue 1 

Issue 2

Interface comp
© Paul Ireson 2021